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Drumming Progressions with Psychosomatic
Interactions, is viewing drumming from a different perspective. It's
about looking at drumming from the perspective of 'how' and then what
happens to us as we develop. A neurological development that leads to a
biological and physical development, as our whole body communicates in
unison. Drumming Progressions makes us think and is good for brain
development. |
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Drumming is about creating a beat to compliment other musical
instruments and when required, add colour to the feel of a particular
tune created. Less can be more, creating a more distinguished drum beat
that enhances and gives a foundation to a song or tune. A beat that
makes feet tap and heads move. |
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Correct
posture is important; how to sit
correctly, using left and right wrists and left and right feet. Each
limb will be playing different beats to create different sounds within
the structure of the music taught. Sitting at the drum set, where the right foot
plays the bass drum, while your left foot will provide a consistent beat
on the high hat. |
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During a series of your drum progressions you will link
different portions of your brain’s neurological network, enabling you to
isolate, and then combine through memory, the use of all hands and feet
in complex drum beats. These exercises are great for brain
enhancement/development and builds more neuron pathways. New neuron
pathways embellish life on another realm and assist in reducing hard
wired negative emotions that are detrimental to life.
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Utilising both your left and right brain your mind will
continually move from the right and left hemispheres and link
psychosomatically with both hands and feet. The left brain will
calculate while the right brain will create the feel memory to play from
memory. The left brain communicates with your bodies right side and the
right brain communicates with your bodies left side. |
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You will experience the two innate forces of left and right
brain functions and through the use of your frontal lobe analytically
focus on the different intricacies of mind progression. These techniques
will benefit other aspects of your life when used effectively. |
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Writing
drum music and how to listen
to and write drum music from CD tunes, is one way of understanding
analytically, on paper, how it formulates mathematically. Written drum music shows
the formats and construction of a tune. In time you will play also via
memory, using particular structures, feel, sections and dynamics of a
complete song/tune. |
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As you progress with your
progressions you will feel the energy of
drum patterns and understand the communication with left and right brain
functions, how they become closely linked, and in turn, operate in
unison. There is nothing more powerful than our brain if we use it with
intent and focus, enabling us to venture on a journey through our inner
consciousness, finding ourselves innately linked with our natural
psyche. This process of
learning also benefits particular life patterns and is the impetus to
changing particular reactive emotions that have a negative impact on
personal life. |
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While experiencing drum beats it is not about the sound of the
drums but rather, the solid beat and the consistent correct timing that
is required, utilising wrists and feet to create a solid beat. Listening
to songs using headphones will suppress the drum sounds enabling you to
concentrate on your four limb functions.
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Drumming is not just relegated to the male species.
Females of all ages can benefit from
drum progressions in life. |
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Drumming is about making a difference to your life –
psychosomatically. It is also an alternative to the normalities of life
and to experience a musical life. Ideally using concentration and the ability to use your whole body in the
creation of self. Life is meant to change and be different and your
brains plasticity will develop holistically. |
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Life is meant to enlighten ourselves with new knowledge, while
exercising both body and mind with an experience, that leads us on roads
towards more personal wisdom. Used congruently, these methods can be
activated within your personal life and improve personal well-being
through self-actualising.
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"Without change we
are trapped in a life of
mediocrity. Change is to be
greater than the environment we live in and be different; to have the
power to choose among the possibilities, act and reach creative
insight - Producing the strength to gain autonomy over our lives." |
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Copyright Mitch Ezyrider Australia
(>) |
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ADDENDUM |
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I wrote the above sometime ago as I am
interested in the functions of the brain, and decided recently to
research Neuro Science in regard to Drumming. The following is what I
found at 'Open Culture':
An old musician’s joke goes “there are three kinds of drummers in the
world—those who can count and those who can’t.” But perhaps there is an
even more global divide. Perhaps there are three kinds of people in the
world—those who can drum and those who can’t. Perhaps, as the
promotional video above from GE suggests, drummers have fundamentally
different brains than the rest of us. Today we highlight the scientific
research into drummers’ brains, an expanding area of neuroscience and
psychology that disproves a host of dumb drummer jokes.
“Drummers,” writes Jordan Taylor
Sloan “can actually be smarter than their less rhythmically-focused
bandmates.” This according to the findings of a Swedish study which
shows “a link between intelligence, good timing and the part of the
brain used for problem-solving.” As Gary Cleland puts it, drummers
“might actually be natural intellectuals.”
Neuroscientist David Eagleman
a renaissance researcher says: “a man obsessed with time,” found this
out in an experiment he conducted with various professional drummers at
Brian Eno’s studio. It was Eno who theorized that drummers have a unique
mental makeup, and it turns out “Eno was right: drummers do have
different brains from the rest.” Eagleman’s test showed “a huge
statistical difference between the drummers’ timing and that of test
subjects.” Says Eagleman, “Now we know that there is something
anatomically different about them.” Their ability to keep time gives
them an intuitive understanding of the rhythmic patterns they perceive
all around them.
That difference can be
annoying—like the pain of having perfect pitch in a perpetually off-key
world. But drumming ultimately has therapeutic value, providing the
emotional and physical benefits collectively known as “drummer’s high,”
an endorphin rush that can only be stimulated by playing music, not
simply listening to it. In addition to increasing people’s pain
thresholds, Oxford psychologists found,
the endorphin-filled act of drumming increases positive emotions and
leads people to work together in a more cooperative fashion.
Clash drummer Topper Headon
discusses the therapeutic aspect of drumming in a short BBC interview
above. He also calls drumming a “primeval” and distinctly, universally
human activity. Former Grateful Dead drummer Mickey Hart and
neuroscientist Adam Gazzaley have high hopes for the science of
rhythm.Hart, who has powered a light show with his brainwaves in
concerts with his own band, discusses the “power” of rhythm to move
crowds and bring Alzheimer's patients back into the present moment.
Whether we can train ourselves to
think and feel like drummers may be debatable. But as for whether
drummers really do think in ways non-drummers can’t, consider the
neuroscience of Steward Copeland's polyrhythmic beats.
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